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Update |
Rowena Réamonn, 1951-2002 |
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Rowena Réamonn, wife of the Alliance's communications secretary, died on July 27 after a three-year battle with cancer. "From the first time I met Rowena in the Hôpital de la Tour (that was my first week in Geneva), I saw a friendly person and a remarkable fighter," wrote Setri Nyomi in a tribute sent from the WARC executive committee meeting in Tondano. "Those of us who came to know her in her last few years in this life have come to appreciate her talents, her friendship, and her loving care. These were gifts she freely shared." This is what her husband said at Rowena's funeral in the Ecumenical Centre of August 2. I'm not going to talk about what Rowena means to me or to our three children, because that's personal. And I'm not going to talk about God, because Rowena is British, and for the Brits, as some of you will know, God also is rather personal. What I want to talk about is Rowena as a quilter: an artist in fabric, a creator, a maker of things. Some of you may suspect that I'm cheating, that indirectly I am talking about God after all.
Rowena as a quilter could be intimidating. She combined a ferocious technique, densely layered and always developing, with a deeply personal vision. She was always pushing herself to try something new. But she was also a passionate teacher, finding intense pleasure in helping those who were new to quilt-making, so that they were encouraged rather than intimidated. Rowena was born creative. Her mother taught pottery and embroidery at the Women's Institute in Lancaster; her father loved gardening; his father made stained glass. She discovered quilting almost by accident; but once she had found it - or once it had found her - she could not let it go.
Rowena was a perfectionist, who was often dissatisfied with her own work. But she knew its value. She allowed no false modesty to cloud its merits. She was less certain of her own worth. It was difficult for her to accept how greatly she was admired and how deeply she was loved. In recent months and years, and especially in these last weeks, many of you found the words to tell her. What George Eliot says of Dorothea Brooke at the end of Middlemarch we may also say of Rowena: "Her full nature... spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive." She will live on in the lives and work of those she touched, and touches still.
Claude Monet said something similar which goes to the heart of the mystery of creation. When he was eighty, a photographer came from Paris to take his picture. "Why on earth do you want to do that?" said Monet. "Come back in the spring when my gardens are in flower and take pictures of them. They look much more like me than I do."
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